As the two converse, Sick Boy considers the merciless trait of opportunity and threat accompanying Begbie's release. He also unveils his recent ambition to write a history of Leith.īegbie visits Sick Boy's pub. During one heated argument, Spud reveals that he received his share of the money from Renton. When Alison begins working at Sick Boy's pub and Sick Boy deliberately attempts to end her relationship with Spud, the friendship between Spud and Sick Boy is over. While accompanying an old friend on a debt collection errand, he meets Kate and begins a relationship with her. He was determined to find the culprit upon his release. While in prison, Begbie received anonymous packages of gay porn sent from Sick Boy. The first section concludes with "OOTSIDE", a chapter noting the release into society of Francis Begbie.
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During their first meeting, the group begins planning to shoot a full length adult film. When Sick Boy learns of Terry's operation, he offers the use of the upstairs bar to shoot some scenes.
One night, a DJ from his hometown (Carl Ewart from Welsh's previous novel Glue) plays at one of his clubs and recognises him. Meanwhile, in Amsterdam, Mark Renton is co-owner of a successful nightclub. He considers his life insurance policy and contemplates suicide. His relationship with his partner Alison is estranged and Spud feels like he has become a burden on her. The scene interests Nikki.ĭanny 'Spud' Murphy has been regularly attending group sessions in an attempt to kick his drug habit. Rab, a university acquaintance, introduces her to his friend Terry Lawson and his underground, home-made pornography operation. Nikki Fuller-Smith is a university student who works part-time in a massage parlour. Convinced that the area is destined to become a social and cultural hub, Simon decides to focus his energy into making the pub an upper class establishment.
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Simon 'Sick Boy' Williamson leaves the London crack scene and returns to Leith when he comes into ownership of his aunt's pub.
Sick Boy's returning grandiose nature is featured in imagined interviews with John Gibson of the Evening News and Alex McLeish. He also repeats certain words when talking such as "catboy" or "cat", "likes" or "likesay", and "ken?" Begbie often swears a lot during his chapters.
For example, in Chapter 25, Spud narrates, "So ah'm downcast git intae the library, thinkin tae masel" ("So I'm downcast when I get into the library thinking to myself"). Renton, Sick Boy, and Nikki's chapters are written almost entirely in "standard" English while Begbie and Spud's chapters are in Scots. Renton's all begin with "Whores of Amsterdam Pt." Spud's chapters are just narrative, Begbie's are in capitals, and Nikki's are quotes from the chapter, for example ".A SIMON DAVID WILLIAMSON PRODUCTION.".Įach narrator is associated with a distinctive prose style. For instance, Sick Boy's chapters all begin with "Scam." and then a number in front of a "#". Another difference from the format of Trainspotting is that each character has a defined chapter heading depending on what chapter it is. Unlike Trainspotting, which had more narrational diversity, Porno is reduced to just five narrators: Sick Boy, Renton, Spud, Begbie and Nikki. The novel is divided into three sections, each of which comprises chapters with different narrators.